It's that time of year for ghosts, goblins, and Reese's Cups (my favorite, which my granddaughters each save for me from their stash!). And every Halloween since the 50's, I remember one afternoon at the Levoy Theater…when I became a monster and terrorized over 1000 kids…
…There was going to be a great kids' event. A Halloween live magic show at the movies – an afternoon I had been waiting for since it was first advertised on a big poster in the lobby during the summer. "Coming in October to Your Theatre…Dr. Silkini's Traveling Magic Show - Live on Stage…and a Double Creepy Feature…Abbott and Costello Meet the Wolfman and Meet the Mummy…PLUS AN APPEARANCE OF THE REAL FRANKENSTEIN AND DRACULA LIVE ON STAGE.
"All this and more for one low ticket price…" The words were blood red across a background of bats surrounding a photo of the great grand magusi himself – Dr. Silkini with a fireball shooting from his wand! This was going to be the great Halloween – I just knew it and started to cross off the days on the Abbott's Fine Bakery calendar hanging in our kitchen.
Finally, the Saturday before Halloween came, and I couldn't wait to get to my favorite seat at the movie – I got there as the doors opened. But as I walked through the lobby, a young lady stopped me and said, "Young man, you look like somebody who might enjoy having extra fun today. How would you like to be in our show? I am Dr. Silkini's assistant, Miss Carol, and I think you would be a perfect fit for our show!" How did she know I was a Charter Member of the International Brotherhood of Magicians and had been playing the Cub Scout Blue & Gold Dinner circuit since I was a kid? (I started to do magic shows when I was 9, four years ago) This was an incredible piece of good luck. I was going backstage with a "real" magician and, even better, a part of his big act. Miss Carol instructed me to come backstage through the exit door to the right of the stage just before the first movie ended so I could get my script and makeup. Makeup! I was going to get makeup – this was real showbiz. As Bud Abbot and sidekick Lou Costello ran from a monster for the last time, I made my way backstage. I was in the dim light behind the translucent, flickering screen.
This was a real backstage with dressing rooms, ancient theater posters on the walls, ropes and pulleys – I had no idea that our local movie house was a real theater - a stop on the traveling vaudeville circuit. I was very excited until I saw a half dozen of my friends sitting on folding chairs – I wasn't going to be the only star of this show. A man, dressed in sneakers and a sweatshirt, got our attention (this was the famous Dr. Silkini, but he didn't look much like a wizard or a doctor; he looked like just a person). He asked us to form a line, and as he walked by each of us, he quickly made assignments for the show. "You two will be floating hands. You will be Dracula; all you have to do is lie in that coffin and sit up when I knock on the lid. You other two will work the flying bats; Miss Carol will show you how. And you (me), big guy, will be my Frankenstein. When I cue ya, just walk out on stage (he demonstrated the stiff Karloff monster walk), make some loud monster noises, and when the lights go out, jump off the stage and run, I repeat run as fast as you can, up the center aisle, and wait for us in the lobby to get you back here. Thanks, guys, for your great help, and all of you will get an autographed picture of me as a souvenir of our big Halloween show." And that was it.
Miss Carol, who came from the one dressing room, now in her very brief red sequined outfit, helped me get into my costume, consisting of a giant padded black canvas coat and a pair of shoes with six-inch blocks of wood attached to the soles. She advised me to practice walking because walking in them was not easy. She handed me a well-used Frankenstein rubber mask that covered my whole head. I pulled it on. It smelled like Swiss cheese, and I practiced walking and trying to see where I was going while the "hands" and the "bat" guys got dressed in long black robes with hoods. Miss Carol sprayed their hands with white fluorescent paint – and they glowed magically as they waited in the dark wings of the stage. She raced through our last instructions - "Listen to Doc...just follow what he says - hands just walk around the stage and wave at the audience. Bat guys' fly' the bats at the edge of the stage out over the audience when he tells you - like casting with a fishing pole. Drac, I'll push you out to the center, and don't forget to sit up. Frank, you will come on when the Doc cues you".
The "live" show started with the Doc doing a few traditional magic tricks – Chinese linking rings, an ancient and weary rabbit appeared and disappeared, and then he did his "big finish" - he cut Miss Carol in half and restored her, no worse for wear! She pranced into the wings. (And from my point of view, I now knew how this trick was done, but I would never tell). The stage darkened. And black lights above the stage were turned on - (Note: for the un-magician, these lights made things glow in the dark.)
Next, eerie music filled the theater from a record player in front of an ancient PA mike. Dr. Silkinni, with a flashlight under his chin, spun a scary tale of Halloween, and the audience started to shriek as the stage went totally black. Miss Carol pushed the six hands out on the stage, and the audience screamed as they saw them floating in mid-air. Next, as the Doc continued his tale, the evil glowing bats flew to even louder shrieks. Dracula was summoned and sat up on cue. The audience of hundreds of kids was now hysterical – and I was too...I was next. Doc's story then introduced the greatest monster of them all – me. Miss Carol gave me a not-so-gentle push out on the stage – I clomped to the center, doing my best monster impersonation (Boris would have been proud) - the music was deafening. Thunder roared and strobes flashed as Doc yelled, "JUMP"!
I jumped off the stage into the black void. My giant shoes crunch through the aged floorboards in what used to house an orchestra pit. I was stuck. Finally, I pried both feet out and tried to find the center aisle - but I was immediately pounced on by all the kids in the first row. I was pummeled with their tiny fists, showered in popcorn, beaned with Good and Plenty's – I feared that I would actually become one of the living dead – or worse. I couldn't see anything in the sweaty mask. I desperately tried to find a way to escape. I now realize why the Doc had repeated during our "rehearsal' that I should "immediately run" up the closest aisle.
Then a firm hand grabbed my arm – Miss Carol pulled me up the aisle as the house lights came on to a crescendo of rolling applause and hoots, then slowly dimmed. The next movie, Frankenstein and the Three Stooges, began. And I had been saved from the kid monster hunters. Safely backstage, Miss Carol said, "Great job, Frankenstein. Want to do it for our evening show tonight? You can come to the movie for free." How could I say no?
After my evening performance, my showbiz career was over for a while. Still, I was bitten that day, not by a horror show vampire, but by a showbiz bug whose effects have been with me ever since.
